Novelty suffers, too. By one estimate nearly three-quarters of streamed songs are over 18 months old. Compared with the raucous explosion of genres that characterised popular music until the 2000s—hip ...

Journalist Liz Pelly and musician Ian Kamau discuss what the streaming economy means for both fans and artists.

We promise these non-fiction titles are anything but boring and will have you roused (as with the damning tell-all on the ...

Our editors and critics choose the most captivating, notable, brilliant, surprising, absorbing, weird, thought-provoking, and ...

From millennial reflections on divorce to must-read memoirs from the likes of Graydon Carter, Brooke Shields and Ms. Tina ...

If you think Spotify was designed to be a music platform, you’ve been tricked. Liz Pelly has the receipts.

"You DO NOT want to live in a world without the freakish weirdos who make the music that is the most alive, the art that's ...

Its great strengths are its interviews with Spotify employees, use of internal Slack messages, and bringing into English for ...

GQ columnist Chris Black talks to Mood Machine author Liz Pelly, who argues that the $100 billion streaming giant's rise has ...

Drake has withdrawn his legal petition against Universal Music Group (UMG) and Spotify after accusing the companies of ...

The Globe and Mail spoke to Pelly about ‘ghost’ musicians, how streamers have changed how music is produced and consumed and ...

A s a consumer-facing product, Spotify has sucked for years. Whatever utilitarian elegance the platform might’ve had in its ...